Milford Dispatches is a serialized portrait of 1950s Midwestern suburbia, where appearances deceive and power is choreographed behind closed doors. At the center is Evelynna DeLancy. A magnetic newcomer with a double life as an abstract painter, a mentor, and, in private, a domestic domme. 

Her husband, Tom, is the town’s newly appointed chief of police, a man who enforces order in public and kneels in private.

As wobbly gelatin rings are exchanged across the neighborhood and civic guidelines tighten around the DeLancys, Evelynna quietly rewrites the rules of domesticity, social order, and gender roles, one dispatch at a time.